CELEBRATE NOW - 20 years Rimini Protokoll
100% Berlin reloaded
100% Berlin reloaded
© Dorothea Tuch
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Chinchilla Arsehole, eyey
© KunstFestSpiele Herrenhausen / Helge Krückeberg
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Feast of Food
© Niklas Rock
The use of the photo is free of charge.
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Granma. Trombones from Havana
Granma. Trombones from Havana / Avignon
© Christophe Raynaud de Lage
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Bubble Jam
Bubble Jam Berlin. Die Bilder sind durch die Erziehungsberechtigten der Jugendlichen lediglich kontextgebunden freigegeben und müssen immer als Bilder von Bubble Jam am Grips Theater Berlin gekennzeichnet werden. Verwendung zur Ankündigung / Vorankündigun
© david baltzer / bildbuehne.de
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Uncanny Valley
(c) Gabriela Neeb
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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win > < win
(c) ArtScience Museum & Marina Bay Sands
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Situation Rooms
© Ruhrtriennale / Jörg Baumann
contact@baumann-fotografie.de
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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CELEBRATE NOW - 20 years Rimini Protokoll
"Scientists have agreed that the intersection between past and future events, the now, is a time period of three seconds", 84-year-old Ulrike Falke read out on stage of our first project in November 2000 and waited for 3 seconds.
Back then, we had convinced four women from the neighbouring retirement home to work with us on a piece at Künstlerhaus Mousonturm in Frankfurt - for us it was about ageing, but the ladies above 80 didn't want to hear about that and preferred to play Formula 1 pilots - we convinced each other.
Celebrate the NOW, exhibit, frame, think further and anchor, shift, raise the volume; we have done that - for 20 years - in many works with wonderfully self-opinionated protagonists, artist-colleagues and audiences - and that we want to celebrate:
HERE and NOW in at least 5 of Berlin's (theatre) houses - over several month!
100% Berlin reloaded
Haug / Kaegi / Wetzel
Chinchilla Arsehole, eyey
Helgard Haug
Feast of Food
Haug / Kaegi / Wetzel
Granma. Trombones from Havana
Stefan Kaegi
Bubble Jam
Daniel Wetzel
Uncanny Valley
Stefan Kaegi
win > < win
Haug / Kaegi / Wetzel
Situation Rooms
Haug / Kaegi / Wetzel
Helgard Haug im Corsogespräch mit Christoph Reimann / 20.12.2019 / Deutschlandfunk
Helgard Haug im Corsogespräch mit Christoph Reimann / 20.12.2019 / Deutschlandfunk
SWR2 am Morgen / 20.12.2019 / Daniel Wetzel über 20 Jahre Rimini-Protokoll: Spannend, von Menschen „überrascht zu werden”
SWR2 am Morgen / 20.12.2019 / Daniel Wetzel über 20 Jahre Rimini-Protokoll: Spannend, von Menschen „überrascht zu werden”
Daniel Wetzel im Gespräch mit Susanne Burkhardt / Rang I / Beitrag vom 23.11.2019
Daniel Wetzel im Gespräch mit Susanne Burkhardt / Rang I / Beitrag vom 23.11.2019
“Philosophical exercise from a robot performer ”
Natasha Tripney
25.02.2022 / The Stage
Review: Uncanny Valley (Battersea Arts Centre)
Theo Moore
24.02.2022 / the-crumb.com
Uncanny Valley, Battersea Arts Centre
Mary Pollard
24.02.2022 / everything-theatre.co.uk
Uncanny Valley: the moving one-man play – starring an animatronic robot
Natasha Tripney
21.02.2022 / The Guardian
Eco-Visionaries review – the salt flats will die and the jellyfish shall rise
Oliver Wainwright
21.11.2019 / www.theguardian.com
“I have a clown in my head that's bugging me”
Bernd Noack
12.04.2019 / Spiegel online
“I Have a Buffoon in My Head Annoying Me”
Bernd Noack
12.04.2019 / Spiegel online
„Chinchilla Arschloch, waswas“ at Schauspiel Frankfurt
Shirin Sojitrawalla
12.04.2019 / www.deutschlandfunk.de
Sledge-Hammer
Eva-Elisabeth Fischer
17.10.2018 / www.sueddeutsche-zeitung.de
Step into the global arms trade in Luminato’s Situation Rooms
Simon Houpt
14.06.2016 / The Globe and Mail
The Situation Rooms is an immersive journey, opening the fourth wall between spectator and performer
Mike Doherty
14.06.2016 / National Post
What it's like to play a real life video game in Toronto
Amy Grief
13.06.2016 / blog TO
Situation Rooms immerses audiences into the international arms trade: review
Carly Maga
11.06.2016 / The Star
Choose your weapon
Linus Ignatius
10.12.2014 / Exberliner
Situation Rooms by Rimini Protokoll – review
Vicky Frost
18.02.2014 / the guardian
Situation sucks you in
Stephen Bevis
10.02.2014 / The West Australian
Art to promote empathy
Eva-Maria Magel
31.10.2013 / FAZ
In the body of the soldier, in the soul of the war victims
Kaspar Heinrich
21.08.2013 / Spiegel online
“Philosophical exercise from a robot performer ”
Natasha Tripney
25.02.2022 / The Stage
Review: Uncanny Valley (Battersea Arts Centre)
Theo Moore
24.02.2022 / the-crumb.com
Uncanny Valley, Battersea Arts Centre
Mary Pollard
24.02.2022 / everything-theatre.co.uk
Uncanny Valley: the moving one-man play – starring an animatronic robot
Natasha Tripney
21.02.2022 / The Guardian
Das Spiel vom Antworten
Patrick Bahners
13.01.2020 / FAZ
Die beste Performance ist das Leben
Peter Laudenbach
09.01.2020 / sueddeutsche.de
Was, wenn die Qualle siegt?
Katrin Bettina Müller
26.12.2019 / taz.de
Angriff der Gegenwart
PATRICK WILDERMANN
20.12.2019 / www.tagesspiegel.de
Die Lust des Blicks in eine unbekannte Welt
Tom Mustroph
20.12.2019 / zitty.de
Vom Aufleuchten der Wirklichkeit
Esther Boldt
12.12.2019 / https://www.nachtkritik.de/
Eco-Visionaries review – the salt flats will die and the jellyfish shall rise
Oliver Wainwright
21.11.2019 / www.theguardian.com
“I have a clown in my head that's bugging me”
Bernd Noack
12.04.2019 / Spiegel online
“I Have a Buffoon in My Head Annoying Me”
Bernd Noack
12.04.2019 / Spiegel online
„Chinchilla Arschloch, waswas“ at Schauspiel Frankfurt
Shirin Sojitrawalla
12.04.2019 / www.deutschlandfunk.de
Sledge-Hammer
Eva-Elisabeth Fischer
17.10.2018 / www.sueddeutsche-zeitung.de
Step into the global arms trade in Luminato’s Situation Rooms
Simon Houpt
14.06.2016 / The Globe and Mail
The Situation Rooms is an immersive journey, opening the fourth wall between spectator and performer
Mike Doherty
14.06.2016 / National Post
What it's like to play a real life video game in Toronto
Amy Grief
13.06.2016 / blog TO
Situation Rooms immerses audiences into the international arms trade: review
Carly Maga
11.06.2016 / The Star
Choose your weapon
Linus Ignatius
10.12.2014 / Exberliner
Situation Rooms by Rimini Protokoll – review
Vicky Frost
18.02.2014 / the guardian
Situation sucks you in
Stephen Bevis
10.02.2014 / The West Australian
Art to promote empathy
Eva-Maria Magel
31.10.2013 / FAZ
In the body of the soldier, in the soul of the war victims
Kaspar Heinrich
21.08.2013 / Spiegel online
Teatronika_02
Martí Sánchez-Fibla & Beatriz Liebe Masferrer
06.05.2019 / Teatronika_02
Unbekannte Räume, Grenzen und Schwellen
Benjamin Wihstutz
01.01.2015 / Jörn Schafaff/Benjamin Wihstutz (Hg.), Sowohl als auch dazwischen: Erfahrungsräume der Kunst, München: Wilhelm Fink 2015
Situation Rooms von Rimini Protokoll. Zum Verhältnis von Immersion und Distanz
Miriam Dreysse
L’oeil immersif, Etudes théâtrales
Reibung an der Realität
Stefan Kaegi
30.07.2019 / www.kultur-tipp.ch
Mit anderen Augen sehen: Die immersive Installation Feast of Food von Rimini Protokoll
Barbara Gronau und Bettina Paust
10.10.2023 / Performance transformieren
Rimini Protokoll Interview for Eco-Visionaries
08.02.2021 / Catalogue Royal Academy of Arts London
Die Vereinsamung des Originals
Leonhard Hieronymi
01.06.2020 / Das Wetter
"Das Theater hält das aus"
Ronald Meyer-Arlt
24.03.2020 / www.haz.de
Agenda: Türen öffnen
Eva Behrendt und Franz Wille
28.02.2020 / Theater Heute (Nr. 3, März 2020)
Não atores e os sistemas: entrevista com Stefan Kaegi.
Giórgio Zimann Gislon
27.08.2019 / https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8656402/21888
"Tourette ist eine Rampensau"
Peter Laudenbach
30.05.2019 / Tip Berlin
Robokalypse now
JENS THOMAS
04.05.2019 / www.creative-city-berlin.de
Interview mit Thomas Melle
„Der Roboter kriegt einfach nicht genug“
Doris Meierhenrich
03.03.2019 / berliner-zeitung.de
»Manche Zuschauer haben auch geweint«
Tom Mustroph
02.03.2019 / zitty.de
Interview with Stefan Kaegi about GRANMA. Trombones from Havana @FTA – Festival international de danse et théâtre à Montréal
Paul Lefebvre
31.01.2019
»Manche Zuschauer haben auch geweint«
Tom Mustroph
zitty.de