Chinchilla Arsehole, eyey
© KunstFestSpiele Herrenhausen / Helge Krückeberg
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
© KunstFestSpiele Herrenhausen / Helge Krückeberg
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
Chinchilla Arsehole, eyey
© KunstFestSpiele Herrenhausen / Helge Krückeberg
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
Chinchilla Arsehole, eyey
Chinchilla Arschloch, waswas. Nachrichten aus dem Zwischenhirn
© Robert Schittko
The use of the photo is free of charge.
Download >
“No intension, it’s just Tourette”, is what Christian Hempel is quick to clarify from the onset, when he’s among people. He cannot control his rants, insults and motor tics. They are reactions to the world around him. The Tourette syndrome seeks attention. It craves confrontation and commotion. At first glance, it would seem impossible to create a theatre piece with Tourette: no text is safe; no movement can be repeated. Stage equipment has to be secured, special hotel rooms booked. In Rimini Protokoll’s new production, Christian Hempel steps onto the stage for the first time, together with musician and geriatric nurse Benjamin Jürgens and politician Bijan Kaffenberger. They also have Tourette. Collectively with musician Barbara Morgenstern, they put theatre to the test: to what degree can theatre tolerate an absence of intent? How much protection can theatre offer? And after the applause is over, it may become clear that this piece isn’t really about Tourette. It is actually about the audience, about theatre and about the fear of losing control.
A production by Künstlerhaus Mousonturm, Schauspiel Frankfurt and Rimini Apparat. In co-production with Westdeutscher Rundfunk and HAU Hebbel am Ufer Berlin.Funded by the Federal Government Commissioner for Culture and the Media as part of the Alliance of International Production Houses, by Kulturfonds Frankfurt RheinMain in the frame of “Erzählung.Macht.Identität” and by Adolf and Luisa Haeuser-Foundation for Art and Cultural Heritage in the frame of the series UNLIMITED II.
Performing rights: schaefersphilippen Theater and Medien GbR
music rights: Barbara Morgenstern © Maobeat Musikverlag/Budde Music Publishing GmbH“
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