ALTER EGO Bootleg
(c) SKD (Staatliche Kunstsammlungen Dresden)
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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ALTER EGO Bootleg
(c) Imanuel Schipper
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Imanuel Schipper
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Imanuel Schipper
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Rimini Protokoll
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Imanuel Schipper
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Imanuel Schipper
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Rimini Protokoll
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
(c) Rimini Protokoll
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
ALTER EGO Bootleg
a multimedia puppet show in three rooms
By Helgard Haug / Stefan Kaegi
Can puppets be seen as the predecessors of artificial intelligence? Where is the boundary between the visible threads of that original avatar, the puppet, and the algorithms of an automated, or even self-learning system?
The first year-long exhibition in the Puppentheatersammlung’s new home in Kraftwerk Mitte is an immersive multimedia installation. The multi-room experience was conceived, designed and realised by the internationally renowned label Rimini Protokoll. Travelling through the spaces of the exhibition, the audience falls under the spell of an automated presentation in which puppet theatre becomes a metaphor for a digital world full of invisible threads.
The legend of the autonomous puppet, a puppet that rebels against its creator and player can be found throughout the history of puppet theatre. Time and again, our perception, fired on by our empathy and our mirror neurones, has emancipated the puppets and made them independent. That legend is seamlessly adaptable to the virtual stage of digital image production, where it has taken on a new political explosiveness.
Scenography: Evi Bauer
Dramaturgy: Imanuel Schipper
Sound design: Daniel Wetzel
Video design: Juan Pablo Gaviria Bedoya
Lighting design and programming: Robert Läßig
Programming deepfake and tablet apps: Victor Victor, Tania Krisanty
Design / Construction of robot arm: Ingo Mewes
Programming robotic: Julian Jungel
Marionette construction: Christian Werdin
Rehearsing movement sequences marionette: Students of the Ernst Busch Academy of Dramatic Arts, Department of Contemporary Puppetry (Annika Schaper, Almut Schäfer-Kubelka, Tanja Linnekogel, Robert Richter, Sven Tillmann)
Synchronized voice marionette: Benno Lehmann
Voice: Bettina Sörgel
Playing the puppet - Video shooting Dresden: Caspar Bankert and Christoph Levermann
Camera: Raphael Freitas
Technical direction: Robert Läßig
Planning and supervision of the structural realisation: Christine Weisser, Thomas Bache, kursiv I text - Objekt - raum GmbH
Exhibition construction: Tischlerei Deger GmbH, interior decorator Haubner, carpentry Rosenmüller, Matthias Kutz, Steffen Esser
Production management: Juliane Männel, Monica Ferrari, Vera Nau
Collaboration scenography: Josefine Ketelsen
Collaboration Light: Kristin Feldmann
Collaboration Sound: Karolin Killig, Sebastian Rietz
Collaboration Space: Anne Klein
In co-operation with the Hochschule für Schauspielkunst Ernst Busch (Ernst Busch Academy of Dramatic Arts), Abteilung Zeitgenössische Puppenspielkunst (Department of Contemporary Puppetry).
Supported by: Friends of the Dresden State Art Collection e.V.
With many thanks to: Dr Matthew McGinity, Immersive Experience Lab, Technische Universität Dresden, Bernd Lintermann, ZKM Karlsruhe, Lisa Homburger, Johannes Benecke, HELLERAU - Europäisches Zentrum der Künste, tjg. theater junge generation Dresden, Staatsoperette Dresden, Prof. Markus Joss, Raskolnikoff Pension (Petra Burckhardt), Skulpturensammlung bis 1800 und Museum für Sächsische Volkskunst der Staatlichen Kunstsammlungen Dresden
Puppentheatersammlung in Dresden eröffnet im Kraftwerk Mitte / DLF Kultur / Alexandra Gerlach
ALTER EGO Bootleg
Puppentheatersammlung in Dresden eröffnet im Kraftwerk Mitte / DLF Kultur / Alexandra Gerlach
Puppentheatersammlung Dresden, Rimini Protokoll: "ALTER EGO Raubkopie"
Andreas Herrmann
12.09.2024 / www.fidena.de
Puppe 50
Jörg Lehmann
30.04.2024 / Theater der Zeit