(c) Mara von Kummer
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(c) Mara von Kummer
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160 Seiten, zahlr. Abb., Broschur, Fadenheftung
ISBN 978-3-89581-560-7
12,90 €
Herausgegeben und mit einem einführenden Essay von Christine Wahl, Interviews mit Rimini Protokoll von Barbara Ehnes, Matthias Lilienthal und Kee Hong Low, zahlreichen farbigen Abbildungen und einem Werkverzeichnis.
Die Reihe »Postdramatisches Theater in Portraits« der Kunststiftung NRW widmet sich der Entwicklung einer neuen Theaterästhetik seit den 1990er-Jahren. Die Geschichte von Akteur*innen des postdramatischen Theaters im deutschsprachigen Raum wird erstmals in Form von Monografien erzählt. Herausgeber*innen der Reihe im Alexander Verlag Berlin sind Florian Malzacher, Aenne Quiñones und Kathrin Tiedemann.
Rimini Protokoll 2000-2020
Cover
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Rimini Protokoll 2000-2020
Cover
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Rimini Protokoll 2000-2020
Auszug
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Rimini Protokoll 2000-2020
Auszug
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Rimini Protokoll 2000-2020
Auszug
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Rimini Protokoll 2000-2020
Auszug
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Rimini Protokoll 2000-2020
Auszug
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Rimini Protokoll 2000-2020
Auszug
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Rimini Protokoll 2000-2020
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Rimini Protokoll 2000-2020
(c) Mara von Kummer
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Rimini Protokoll 2000-2020
(c) Mara von Kummer
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Based on the premise "There is no show without audience", the members of the Rimini Protokoll collective have for years radically changed the way of understanding the theater. Except for the audience, considered a "partner", they practice nothing more of what is considered to be the conventional theater. Decades ago, they brought reality to the stage and eliminated architecture from theatrical action. They are considered classics in the use of new formats: they work to bring people together and to talk about being together.
“Reality has entered the scene strongly. And when I say ‘reality’ I don’t mean the news of the day, but the people on the street. The Rimini Protokoll lead them both two and a half decades ahead.”
Language: Catalan, English
(c) Mara von Kummer
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(c) Mara von Kummer
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(c) Mara von Kummer
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400 pages | 20 halftones | 6 x 7 1/2 | © 2019
Buy @The University of Chicago press
In Everything: And Other Performance Texts from Germany, Matt Cornish gathers texts drawn from performances by five of the most renowned theater collectives working today: andcompany&Co., Gob Squad, Rimini Protokoll, She She Pop, and Showcase Beat Le Mot. Drawn from theater events variously described as documentary, post-dramatic, and live art, the texts collected in Everything seldom look or read like plays—some comprise rules for improvisation; others could best be described as theatrical scenarios; a few are transcripts; one includes a soup recipe. Yet amid these dramaturgical tests and trials, one finds poetry: heartbreaking stories of disability and triumph as well as strange, disjointed fairy tales interrupted by communist songs.
This volume is an extension of the original theatrical experiments. For the reader, the texts are calls to action. They ask one to do things: watch the news, listen to music, make soup, and dance. While the groups do not mean for actors to repeat the words printed here, they invite the reader to adapt their ideas and rules to make their own entirely new productions.
(c) Mara von Kummer
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(c) Mara von Kummer
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(c) Mara von Kummer
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7 Euro
(c) Mara von Kummer
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(c) Mara von Kummer
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(c) Mara von Kummer
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(c) Mara von Kummer
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5 Euro each
(c) Mara von Kummer
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(c) Mara von Kummer
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(c) Mara von Kummer
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For ordering: https://vidy.ch
(c) Mara von Kummer
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(c) Mara von Kummer
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5 Euro
Rimini Protokoll - ABCD
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von Helgard Haug, Stefan Kaegi, Daniel Wetzel
Herausgegeben von Johannes Birgfeld
Broschur mit 176 Seiten
Format: 140 x 240 mm
Preis EUR 16,00
ISBN 978-3-943881-03-5
Die Reihe Recherchen des Verlags Theater der Zeit, in der bereits zahlreiche namhafte Künstler und Wissenschaftler auf Expedition in das Theater des 21. Jahrhunderts gegangen sind, feiert seinen hundertsten Band mit einem außergewöhnlichen Buch, in dem das Theater neu buchstabiert wird – das ABC von Rimini Protokoll.
Das Berliner Regiekollektiv, bestehend aus Helgard Haug, Stefan Kaegi und Daniel Wetzel, tritt hier erstmals als Experte seiner selbst auf und definiert zentrale Begriffe der eigenen Arbeit für und über das Theater: von A wie Applaus und Authentizität über Präsenz, Publikum, Repräsentation bis hin zu Z wie Zugabe, Zweifel und Zukunft.
Das ABC von Rimini Protokoll basiert auf Vorträgen im Rahmen der 1. Poetikdozentur für Dramatik an der Universität des Saarlandes in Saarbrücken. Helgard Haug, Stefan Kaegi und Daniel Wetzel haben hier im Winter 2011/12 Projekte aus ihrer mehr als zehnjährigen Zusammenarbeit vorgestellt und über ihr Theaterkonzept reflektiert. Aus den Vorträgen haben sie ein ABCDarium entwickelt, eine Form, die dem vernetzten und stets in Bewegung befindlichen Denken und Arbeiten des Kollektivs entspricht. Das ABC - komisch, spannend und erkenntnisreich - lädt den Leser auf charmante Weise dazu ein, sich auf verschlungenen Pfaden durch die Welt von Rimini Protokoll führen zu lassen.
AUTHENTIZITÄT
danach wird oft gefragt. Wenn darauf immer das Gleiche geantwortet wird, ist dann die Antwort nicht mehr authentisch?
ZUGABE
in der Musik oft der Moment, in dem das größte Risiko möglich wäre, weil jetzt ohnehin schon alle auf der Seite der Band sind, in dem aber meistens das Bekannteste und Populistischste gespielt wird. Im Theater und in Poetikvorlesungen eher selten.
(c) Mara von Kummer
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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(c) Mara von Kummer
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(c) Mara von Kummer
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7 Euro
(c) Mara von Kummer
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(c) Mara von Kummer
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(c) Mara von Kummer
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Experts of the Everyday. The Theatre of Rimini Protokoll
(c) Mara von Kummer
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Experts of the Everyday. The Theatre of Rimini Protokoll
(c) Mara von Kummer
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240 pages | 296 full colour images | ISBN 978-3-89581-187-6 | 19.90 Euro | Alexander Verlag Berlin
Available at: www.alexander-verlag.com.
Elderly ladies, teenagers, unemployed air traffic controllers, talented mayoral candidates, Vietnam soldiers, counsellors, Bulgarian longdistance lorry drivers, Indian call centre workers – "real people" are always at the centre of Rimini Protokoll's directorial work. Experts of their daily lives, they are the defining aspect of the documentary work of Helgard Haug, Stefan Kaegi and Daniel Wetzel. It is rare that the clash between fiction and reality is made so clear, and simultaneously so emotional and playful, as in the theatre of Rimini Protokoll.
In this volume, journalists, academics and artists present and reflect upon the stage productions, as well as the site-specific works, audio tours and radio pieces of the successful trio of directors. With numerous colour photographs and a complete catalogue of works.
Articles by Eva Behrendt, Miriam Dreysse, Ehren Fordyce, Heiner Goebbels, Hans-Thies Lehmann, Florian Malzacher, Annemie Matzke, Tobi Müller, Priyanka Nandy, Matthias Pees, Rimin Protokoll, Kathrin Röggla, Jens Roselt und Gerald Siegmund.
Co-produced by Institut für Angewandte Theaterwissenschaft (Universität Gießen), Kunstenfestivaldesarts (Brussels), National Theatre School Continuing Education (Copenhagen), Project Arts Centre (Dublin), PuSh International Performing Arts Festival (Vancouver)
Kindly supported by Pro Helvetia