How can burning social issues be translated into theater?
How does the audience itself become the sensual center of an issue? How to stage new formats for immersive museums or public spaces?
For 20 years, Stefan Kaegi and his colleagues from Rimini Protokoll have been staging documentary plays, radio plays and urban space productions in a wide variety of constellations, often breaking down economic interdependencies to a human component or luring audiences into the center of immersive spaces. In Basel, as part of his new production This is not an Embassy (Made in Taiwan), he will give a deeper insight behind the scenes of his theater practice, which is constantly developing new formats.