Remote X
Remote Taipei
© Lafun Photography
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Remote X
Remote Al-Ula
(c) MMG
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Remote X
Remote Belgrade
© Sonja Žugić
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Al-Ula
(c) MMG
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Al-Ula
(c) MMG
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Al-Ula
(c) MMG
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Al-Ula
(c) MMG
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Remote X
Remote Al-Ula
(c) MMG
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Al-Ula
(c) MMG
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Besançon
© Jörg Karrenbauer / Rimini Protokoll
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Belgrade
© Sonja Žugić
The use of the photo is free of charge.
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Remote X
Remote Kiev
© Anastasiia Fateeva
The use of the photo is free of charge.
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Remote X
© Florian Merdes / Badisches Staatstheater Karlsruhe
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Kiev
© Anastasiia Fateeva
The use of the photo is free of charge.
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Remote X
Remote Kiev
© Anastasiia Fateeva
The use of the photo is free of charge.
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Remote X
Remote Kiev
© Anastasiia Fateeva
The use of the photo is free of charge.
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Remote X
Remote Kiev
© Anastasiia Fateeva
The use of the photo is free of charge.
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Remote X
Remote Kiev
© Anastasiia Fateeva
The use of the photo is free of charge.
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Remote X
Remote Taipei
© Lafun Photography
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Remote X
Remote Besançon
© Jörg Karrenbauer / Rimini Protokoll
The use of the photo is free of charge.
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Remote X
© EXPANDER Film
kontakt@expander-film.de
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Besançon
© Jörg Karrenbauer / Rimini Protokoll
The use of the photo is free of charge.
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Remote X
Remote Taipei
© Lafun Photography
The use of the photo is free of charge.
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Remote X
© Florian Merdes / Badisches Staatstheater Karlsruhe
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Besançon
© Jörg Karrenbauer / Rimini Protokoll
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Remote X
Remote Erlangen
@Erich Malter / Kulturamt Erlangen
The use of the photo is free of charge.
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Remote X
© Florian Merdes / Badisches Staatstheater Karlsruhe
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
Download >
Remote X
Remote Moscow
@Mike Vonotkov
+7 916 685 68 93
Mvonotkov@yandex.ru
www.vonotkov.jimdo.com
The use of the photo is only free of charge in the context of the announcement of performances and with denomination of the author. Any further use of the photos, for example for illustration of reviews, shall be subject to payment of a fee. Please contact the photographer.
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Remote X
©UH Cynthia Woods Mitchell Center for the Arts
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Remote X
©FeodorElutine
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Remote X
©FeodorElutine
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In Remote X, a group of 50 people set off into the city wearing headphones. They are guided by a synthetic voice - as we know them from GPS navigators. The encounter with this artificial intelligence leads the group to perform an experiment on themselves. How are joint decisions made? Who do we follow when we are guided by algorhythms?
50 people watch each other, make individual decisions and yet remain always part of a group. While the artificial intelligence observes human behaviour from a distance, the voice step by step sounds more familiar. Along the way, binaural recordings and film scores provide a soundtrack for the urban landscape. The journey through the city feels more and more like a collective film.
Remote X questions artificial intelligence, big data and our predictability. As the project tours from city to city, each new site-specific version builds upon the dramaturgy of the previous city.
Concept, Script and Direction: Stefan Kaegi
Script and Direction on Location: Jörg Karrenbauer, Anton Rose
Sound Design Concept: Nikolas Neecke
Sound Design on Location: Peter Breitenbach, Jascha Dormann, Aaron Ghantus, Karolin Killig, Tobias Koch, Ilona Marti, Nikolas Neecke, Ekaterina Reshetnikova, Florian Wulff
Dramaturgy: Aljoscha Begrich, Juliane Männel
Production Management Rimini Protokoll / Touring: Monica Ferrari
"Remote X" is a production of Rimini Apparat.
In coproduction with HAU Hebbel am Ufer Berlin, Maria Matos Teatro Municipal and Goethe-Institute Portugal, Festival Theaterformen Hannover/Braunschweig, Festival d'Avignon, Zürcher Theater Spektakel, Kaserne Basel.
Supported by the Capital Cultural Fund Berlin and by Swiss Arts Council Pro Helvetia and Fachausschuss Tanz und Theater Kanton Basel-Stadt. A House on Fire coproduction with the support of the Cultural Program of the European Union.