Wallenstein
Wallenstein
©Barbara Braun
Every use of the photo shall be subject to payment of a fee. Please contact the photographer.
Wallenstein
Wallenstein
©Barbara Braun
Every use of the photo shall be subject to payment of a fee. Please contact the photographer.
Wallenstein
Wallenstein
©Barbara Braun
Every use of the photo shall be subject to payment of a fee. Please contact the photographer.
Wallenstein
Wallenstein
©Barbara Braun
Every use of the photo shall be subject to payment of a fee. Please contact the photographer.
Wallenstein
Wallenstein
©Barbara Braun
Every use of the photo shall be subject to payment of a fee. Please contact the photographer.
Wallenstein
Wallenstein
©Barbara Braun
Every use of the photo shall be subject to payment of a fee. Please contact the photographer.
Wallenstein
- A documentary-play
By Haug / Wetzel
Actually, Ralf Kirsten had already signed his discharge papers as Police-Officer, returned his weapon, and was abominably said good-bye by his superiors. But then everything changed over night. The wall fell, the “Wende” (‘Turning’) came, and all of a sudden his superiors who had previously branded him had to greet him courtly under the new political horizons. A few years later, Kirsten became the Chief of Police of Weimar. The “Wechsel” (‘Change’) came to Dr. Sven-Joachim Otto in a very different way. As a CDU candidate he was elected mayor, but years later he was manoeuvred from behind into political exile.
Helgard Haug and Daniel Wetzel thoroughly examined Schiller’s “Dramatisches Gedicht” (‘Dramatic Poetry’). They distributed Reclam-editions of “Des Lebens Bühne” (‘the stage of life’) amongst an audience that barely remembered this text from school-years, and asked them to ask themselves: What has this got to do with me? How would a contemporary Gräfin Terzky look like, how would she react? What ideals motivate young men nowadays to risk their lives for? Where do you find allegiance nowadays in Weimar or in Mannheim, and where resistance? This is by no means to shame Schiller’s theatre - it rather raises it to a theatrical attraction which does not exclude reality, but enables us to see reality through theatrical means.
On stage, we see real people of Weimar and Mannheim, who act in their real lives and not just on stage. With their biographies they approach Schiller’s protagonists stand up to them. People of two cities from opposing ideological camps along the Iron Curtain: Experts of the rise and fall in political power games, of loyalty and obedience or even of the individual in times of fast political changes.
A production for the 13th International Schiller-Days in Mannheim / Nationaltheater Mannheim in Co-production with Deutschen Nationaltheater Weimar.
World Premier: June 5th 2005, 13.Internationale Schillertage Mannheim
Invited to Theatertreffen 2006, Berlin
Wallenstein FAUST-Verleihung
Wallenstein
Wallenstein FAUST-Verleihung
Documentation
Wallenstein
Documentation
The King Becomes The Actor
Peter Michalzik
07.06.2007 / Frankfurter Rundschau
On Rimini Protokoll
Peter Michailzik
01.08.2006 / Goethe Institut Webseite
Real-life Drama
05.06.2006 / Frankfurter Allgemeine Sonntagszeitung
The King Becomes The Actor
Peter Michalzik
07.06.2005 / Frankfurter Rundschau
Audience-participation theatre for laymen
by Tobias Becker and Wolfgang Höbel
DER SPIEGEL
Rückblick: Katalog eines taumelnden Jahrzehnts. Theater: Mitmach-Show für Theater-Laien
Tobias Becker, Wolfgang Höbel
28.12.2009 / DER SPIEGEL,
Zwischen den Ritzen des Alltäglichen
Irene Grüter
12.12.2006 / http://www.nachtkritik.de/index.php?view=article&id=32%3Arimini-protokoll-und-ihr-projekt-wallenstein&option=com_content&Itemid=60
Wunder wirklich wahr
Peter von Becker
24.11.2006 / Der Tagesspiegel
Keine Heilanstalt, sondern Museum
Nina Peters
01.10.2006 / Theater der Zeit
Dramaturgie statt Dramatik
Jochen Meißner
01.09.2006 / Funkkorrespondenz
Seid ihr gewillt, die Krone abzutreten?
Thomas Irmer
01.09.2006 / Theater heute
Über Rimini Protokoll
Peter Michailzik
01.08.2006 / Goethe Institut Webseite
Das ganz normale Drama
Rico Bandle
08.07.2006 / Blick
Flugabwehrkanone, Illusionstheaterdynamit
Alexandra Kedves
08.07.2006 / Neue Züricher Zeitung
Wallenstein in Vietnam
Philipp Gut
08.07.2006 / Tagesanzeiger
«Wer hat mit mir gelitten?»
Irene Grüter
06.07.2006 / Züritipp
Zürcher Protokoll: «Wir machen die Zuschauer zu Zeugen»
Irene Grüter
03.07.2006 / Tagesanzeiger
Zweimal Schauspielkunst vom Feinsten
M.Schiller/ A. Seegers
06.06.2006 / Hamburger Abendblatt
Wir arbeiten nur mit Profis
Uwe Gössel
01.05.2006 / Berliner Festspiele (Homepage)
Repräsentatives Milchgesicht
Doris Meierhenrich
01.11.2005 / Berliner Zeitung
Brisante Berichte: Rimini-Protokoll mit
Reinhard Wengierek
29.10.2005 / Berliner Morgenpost
Einer wie du und ich
Christine Wahl
29.10.2005 / Der Tagesspigel
Vorsicht! Freiheit im Quadrat
Ralf-Carl Langhals
01.09.2005 / Theater der Zeit
Der Wallenstein der Christdemokraten
Jürgen Berger
14.07.2005 / Kölner Stadtanzeiger
Väter Mannheims
Daniel Völzke
18.06.2005 / Der Tagesspiegel
Schiller auf der Bühne (3)
Tobi Müller
17.06.2005 / Tages-Anzeiger Zürich
Wer wählt mich mal wieder?
Hans-Dieter Schütt
16.06.2005 / Neues Deutschland
Eine ganze Stadt schillert
Ralf-Carl Langhals
08.06.2005 / Die Welt
Treue Verräter
Sabine Leucht
08.06.2005 / taz
Dr. Otto Wallenstein
Barbara Burkhard
08.06.2005 / Theater heute
Der König wird Schauspieler
Peter Michalzik
07.06.2005 / Frankfurter Rundschau
Von Sternen, die selten lügen, und der Einsamkeit mächtiger Männer
Ralf-Carl Langhals
07.06.2005 / Mannheimer Morgen
Wovon Schiller heute erzählen könnte
Andreas Jüttner
07.06.2005 / Badische Neueste Nachrichten
Das Drama des wirklichen Lebens
Georg Diez
05.06.2005 / Frankfurter Allgemeine Sonntagszeitung
Zum Wiehern! CDU-Otto spielt den Wallenstein
Janine Wollbrett
05.05.2005 / BILD Rhein-Neckar
Liebe/r XY
Helgard Haug, Daniel Wetzel
01.05.2006 / Dramaturgie, Heft 1 2006